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The Theme of Vintage in the Pictorial Traditions of Late Antiquity, Early Christianity, and in the Art of Sasanian Iran.

Lilit Mikayelyan · 2016

Catalogue summary

Grape-harvest imagery is compared across late antique, early Christian, Armenian, and Sasanian art to trace changing Dionysian, Eucharistic, and paradisal meanings.

Why this matters

The Dvin relief and Akhtamar façade place Armenian monuments within a broader iconographic exchange with Rome and Iran.

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Published in
Actual Problems of Theory and History of Art
Year
2016
Language
English
DOI
10.18688/aa166-2-13

Citation

Lilit Mikayelyan 2016. The Theme of Vintage in the Pictorial Traditions of Late Antiquity, Early Christianity, and in the Art of Sasanian Iran.. Actual Problems of Theory and History of Art. https://doi.org/10.18688/aa166-2-13

Topics

Archaeology, art, and material cultureReligion and church history

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