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On the history of studying of medieval Armenian fresco painting

I. R. Drampi︠a︡n · 2018

Catalogue summary

From Ani archaeological campaigns to Durnovo, Der Nersessian, and Kotanjyan, the article reconstructs twentieth-century scholarship that established a coherent account of medieval Armenian fresco technique, programs, and iconography.

Why this matters

Its historiography explains how fragmentary preservation and misconceptions about church hostility delayed recognition of Armenia’s monumental painting tradition.

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Published in
Vestnik of Saint Petersburg University Arts
Year
2018
Language
English
DOI
10.21638/11701/spbu15.2018.205

Citation

I. R. Drampi︠a︡n 2018. On the history of studying of medieval Armenian fresco painting. Vestnik of Saint Petersburg University Arts. https://doi.org/10.21638/11701/spbu15.2018.205

Topics

Armenian historyReligion and church historyArchaeology, art, and material culture

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