Alexander Spendiaryan in the Music of the World (Ethnomusicological Observation)
Noune Poghosyan-Zeltsburg · 2022
Catalogue summary
An ethnomusicological reading places Alexander Spendiaryan between Russian and European art music, Armenian classical development, diaspora ideology, folklorism, orientalism, and nationalism, arguing that his individual style helped found a national school of composition.
Why this matters
The interdisciplinary portrait explains how musical technique and political-cultural identity interacted in the making of modern Armenian concert tradition.
Citation
Noune Poghosyan-Zeltsburg 2022. Alexander Spendiaryan in the Music of the World (Ethnomusicological Observation). Journal of Art Studies. https://doi.org/10.54503/2579-2830-2022.1(7)-67
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