The author edits and translates oracle sayings placed beside John's Gospel in Matenadaran M9650, then compares their sequence and wording with the older Graz Armenian palimpsest.
Photographs, measurements, archives, and comparative analysis trace Bagratuni church ornament from Hellenistic and early medieval precedents across portals, arches, pilasters, capitals, and decorative bands.
Three decades of Italian archaeology around Sevan, Kotayk, and Vayots Dzor trace Urartian territorial systems, agriculture, mining, local integration, and cultural continuity into late antiquity.
Minas Bzhshkean's 1812 treatise combines Rousseau and other traditions to frame musical notation reform across Mekhitarist Venice, Ottoman Istanbul, and Armenian Enlightenment networks.
Observation of services and interviews in Vakifli document Armenian religious music through solo, choir, and call-response forms used for feasts, saints, births, weddings, and funerals.
Skeletal trauma and the body's sack-like placement in Beniamin grave two lead the osteological study to infer violent death, probably from a severe occipital injury.
After tracing singing instruction from ancient ritual and medieval Armenian schools, the article proposes curricular methods for processing, developing, and protecting students' voices today.
The study transcribes nineteenth-century Imperial Archaeological Commission reports about work in Artsakh-Karabakh and assesses their evidence for monuments and regional historical memory.
Comparative analysis traces how three-layer midis masonry evolved alongside structural integrity in Armenian churches from the fourth through fourteenth centuries, linking shell construction to changing architectural form.
Non-destructive ATR-FTIR imaging and X-ray fluorescence characterize pigments and degradation products in five Martiros Sarian paintings dated from 1909 to 1948, including several blue, green, yellow, and red colorants.
The chapter explains seventh-century Armenian church architecture through three converging forces: new Christian building needs, adaptation of Byzantine models, and a dome-centered structural revolution expressed across cruciform, radiating, central, and longitudinal plans.
The study reconstructs the 1872 Constantinople premiere of Tchouhadjian's Arif's Ruse, credits librettist-performer Hovhannes Achemian and Shazik Keuyluyian, analyzes its comic genre and dramaturgy, and introduces the prelude clavier.
In-situ reflectance and Raman spectroscopy identify the mineral and organic palette used across a seventeenth-century Armenian Bible and three Gospel books, while also distinguishing their facial, vestment, and hand-painting techniques.
Gomidas Vartabed's Ermenice, Türkçe, and Kürtçe halk ezgileri are examined through makam and ritim features, alongside his derleme work, çoksesli arrangements, concerts, and efforts to shape Ermeni müziği.
Iconographic comparison interprets generalized sculpted faces on medieval Armenian and South Caucasian churches as allegories or personifications, distinguishing them from donor portraits through placement and formal features.
Ottoman Armenian expatriation photographs made between 1896 and 1908 become material for a 'looking together' method that reveals state purposes while showing emigrants repurposing official portraits of exclusion into resources for belonging.
A survey of Armenia's Neolithic record follows architectural remains, pottery, stone industries, burials, plant and animal evidence from late Mesolithic traditions to farming settlements in the Ararat plain associated with Shulaveri-Shomutepe culture.
The study follows a contemporary Turkish public-theatre adaptation of Hagop Baronian's 1868 Armenian drama and analyzes how state-supported performance negotiates Ottoman Armenian history, memory, and political ambiguity.
This multidisciplinary volume ranges from early farming settlements through Bronze and Iron Age societies, joining field reports with studies of ceramics, burials, sacred landscapes, chronology, palaeodemography, and regional social change.
Through Armenian- and Azerbaijani-associated sacred sites, this article studies how shifts in territorial control lead monuments to be reclassified, resacralized, or stripped of earlier meanings.
This political-economy article frames intellectual-property disputes in Karabakh through allegations concerning control, commercial use, and exploitation during the period of territorial conflict.
A 1968 Sion description of a 1311 Artske manuscript is compared with Matenadaran M76, revealing shared colophons, copyist Hovhannes's relatives, and unusual biblical textual variants.
Researchers sampled wild grape populations across Armenia and used genetic markers to characterize diversity, population structure, and variants associated with powdery-mildew resistance.
This atlas installment surveys Armenian community history in Greece and inventories local architecture and place names while also covering churches, education, media, and settlement geography.
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