Architectural analysis dates Dadivank's Cathoghike to 1214 under Arzu Khatun and argues that its blind arcade, archivolts, and rosettes adapt metropolitan ideas associated with Ani Cathedral.
The chapter explains seventh-century Armenian church architecture through three converging forces: new Christian building needs, adaptation of Byzantine models, and a dome-centered structural revolution expressed across cruciform, radiating, central, and longitudinal plans.
This multidisciplinary volume ranges from early farming settlements through Bronze and Iron Age societies, joining field reports with studies of ceramics, burials, sacred landscapes, chronology, palaeodemography, and regional social change.
Using Armenian manuscripts and Ottoman archives, this book explains how seventeenth-century migration reshaped Istanbul and western Anatolia and enabled new Armenian commercial and cultural networks.
This architectural-history chapter calls for comparative study of Armenian, Georgian, Seljuk, and Mongol artistic exchange, identifying nationalism and weak scholarly communication as barriers.
Soviet scholarship on medieval Armenian monuments is presented as part of a larger history of historiography and nationhood in the southern Caucasus over the USSR’s seventy years.
Venice’s Armenian-studies history runs from Mechitarist scientific publishing at San Lazzaro to the Ca’ Foscari chair and Alpago Novello’s documentation centre; the paper also frames his method as an ecology of art.
Archival material from the Study and Documentation Centre traces Alpago Novello’s 1968 Milan exhibition from its curatorial choices to a journey through thirty cities on three continents, ending in Yerevan in 1996.
Systematic Armenian-art surveys by the Yerevan State University chair covered Romanian and Iranian collections from 2011 through 2019, including miniatures, icons, wall paintings, silverwork, and textiles.
Italian scholars began photographic study trips in 1966, documenting medieval Armenian churches and monasteries before the 1968 Rome exhibition broadened public knowledge and encouraged eastern Mediterranean research.
Disrepair, neglect, and the genocide-linked absence of an Armenian community make architectural heritage in Turkey a contested subject; the abstract follows Turkish initiatives that have revived preservation and research attention.
Lake Van is presented as a central Armenian cultural landscape from Urartian rule through Vaspurakan and the rupture of the 1915 genocide.
Media coverage of the 2007 Sourp Khatch reopening is used to test whether Turkish minority-rights language reflects European norms or repackaged Ottoman tolerance.
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