Soviet-era Armenian films are read through protagonists who confront family duty, resilience, genocide, revolution, disaster, and cultural inheritance with sparse scenography but accomplished acting.
Diasporic filmmakers move from an imagined Soviet-era homeland toward post-independence images marked by economic struggle, disillusionment, concealed trauma, and divided Armenian identity.
Interviews, fieldnotes, and institutional research in southeast Michigan expose a gap between Armenian women's community roles as memory keepers and their visibility in formal archives.
Survivors, refugees, deportation, armed resistance, painters, and sculptors frame this account of how Armenian art visualized catastrophe and endurance across generations.
Fieldwork gathered across five United States trips from 1979 to 2008 is organized by genre, age, and sex to describe variation in Armenian-American oral tradition.
Using Karen Jeppe's memoirs and the Armenian press of Aleppo, the article reconstructs how cross-community Ottoman relationships enabled the first Armenian refugee settlements in Syria's Jazira between 1918 and 1926.
Using a 2020 needs-assessment dataset, this study compares food access among displaced Artsakh Armenians and host households across six provinces in Armenia during the war.
Comparative literature and site observation interpret Tsitsernakaberd through four spatial ideas—text, arena, performance, and wound—that organize genocide memory within its culturalized landscape.
Close attention to Saroyan and Hashyan shows historical memory sustaining Armenian-American identity through family continuity, inherited custom, national dignity, and resistance to assimilation.
Surveys, interviews, and focus groups compare belonging among local Armenian youth, Artsakh-displaced newcomers, and Syrian Armenians after the 2020 war, exposing unequal attachment and recognition.
A digital ethnography of an Armenian school in Jerusalem examines student-created social media during the second Artsakh war as expressions of diaspora identity, citizenship, and agency.
Critical discourse analysis and semiotics are applied to Tumanyan's David of Sasun, examining historical memory, enemy imagery, and the translation of textual symbols into children's illustrations.
A mixed-methods study combines decades of Armenian health indicators with interviews to examine maternal and infant care during the 2020 war and the concurrent pandemic.
Ottoman Armenian expatriation photographs made between 1896 and 1908 become material for a 'looking together' method that reveals state purposes while showing emigrants repurposing official portraits of exclusion into resources for belonging.
Using evidence from Bulgaria, the Czech Republic, Latvia, and Sweden, the article shows how far-right legislators instrumentalize Armenian Genocide recognition through memory justification and extrapolation to advance exclusionary political agendas.
This study compares Armenian diaspora mobilization in the United States, France, and Russia and explains why overseas narratives about Artsakh can diverge from those inside Armenia and the region.
The study follows a contemporary Turkish public-theatre adaptation of Hagop Baronian's 1868 Armenian drama and analyzes how state-supported performance negotiates Ottoman Armenian history, memory, and political ambiguity.
Through Armenian- and Azerbaijani-associated sacred sites, this article studies how shifts in territorial control lead monuments to be reclassified, resacralized, or stripped of earlier meanings.
The paper discusses cognitive and psychological consequences of starvation and applies that health literature to Armenian residents affected by restrictions on the corridor connecting Artsakh with Armenia.
Through Antonia Arslan's writing, the article studies postmemory, origin narratives, and literary representations of inherited trauma within a broader project on wars, genocide, migration, and displacement in European culture.
Eight focus groups across four U.S. minority communities, including Armenian Americans, reveal that participants both accepted and resisted comparative victimhood measures while describing shifting ingroup and outgroup power after collective harm.
Multi-sited fieldwork among Armenian musicians in Milan, Paris, and Yerevan leads the researcher to revise initial assumptions and describe divergent musical identities shaped by memory, mobility, and globalization.
Through the Armenian community in the Netherlands, this article classifies state-led, institutional, and grassroots collective remittances and studies gendered roles in organizing them.
The case of Australian Armenians who moved from Turkey shows how emotional experience influences diaspora views of political developments there.
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