Journal ArticleOpen Access
The Chronicle of Yerevan Days: Spatial Representation and Authentic Realism
Shmavon Azatyan · 2018
Catalogue summary
A film analysis argues that buildings, streets, and squares make Yerevan an active agent in Dovlatyan's 1972 Chronicle of Yerevan Days.
Why this matters
The spatial reading preserves evidence of the actual Soviet-era city while explaining how cinematography produces a specific form of authentic realism.
Published in
IAFOR Journal of Media Communication & Film
Year
2018
Language
English
Citation
Shmavon Azatyan 2018. The Chronicle of Yerevan Days: Spatial Representation and Authentic Realism. IAFOR Journal of Media Communication & Film. https://doi.org/10.22492/ijmcf.5.1.04
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