Journal ArticleRecord only
«Огненное кольцо» Авета Тертеряна в определении индивидуально-композиторской концепции оперного жанра
Г. Х. Арутюнян · 2020
Catalogue summary
Musicological analysis treats Terteryan's Ring of Fire as a dialogic chamber opera, tracing European genre models, Armenian folklore, vocal characterization, and the impersonal aesthetics of epic theater.
Why this matters
It offers detailed guidance to a little-studied Armenian opera and its place between national and European traditions.
Citation
Г. Х. Арутюнян 2020. «Огненное кольцо» Авета Тертеряна в определении индивидуально-композиторской концепции оперного жанра. Музичне мистецтво і культура. https://doi.org/10.31723/2524-0447-2020-30-2-8
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