The dissertation places Sayat-Nova's multilingual songs inside Armenian and wider Near Eastern bardic traditions, then follows his twentieth-century scholarly and popular afterlife.
The article examines five Kurdish novels that represent the Armenian Genocide through historical events and biographies. It relates these literary treatments to changing Kurdish politics and to debates over memory, acknowledgment, responsibility, and guilt.
A translated and annotated autobiography by Anania Shirakatsi depicts seventh-century Armenian intellectual limitations and his pursuit of mathematical and astronomical learning abroad.
A dissertation reads Micheline Aharonian Marcom's three novels through postmemory, tracing how imagination mediates inherited Armenian Genocide trauma into present literary remembrance.
The article examines how varied uses of the Armenian alphabet help Plovdiv intellectuals sustain language, identity, and an imagined connection to the historic Armenian homeland.
Armenian chronicles from the thirteenth and early fourteenth centuries are evaluated as evidence for the Second and Third Crusades alongside Latin traditions.
The dissertation explains divergent Classical Armenian epenthetic vowels through sonority sequencing, extraprosodic sibilants, secondary stress, and contrasting consonant-resonant clusters.
A survey of Greek works translated into Syriac, Georgian, Armenian, and other languages reviews both religious and secular transmission. It also identifies methodological questions and areas needing further study.
The study maps folk-song, dance, lament, ritual, and natural imagery in Tumanian's Anush onto Tigranian's completed opera and Komitas's surviving score fragments.
Printing in Istanbul between the Ottoman conquest and the official press is reconstructed through Jewish, Armenian, Greek, and Orthodox publishing activity.
Comparative evidence from Mi'gmaq and Chol favors a numeral-based account of classifiers, while optional classifier use in Western Armenian illustrates within-language variation that competing noun- and numeral-centered theories explain differently.
Bale and Khanjian analyze how singular and plural marking compete in Western Armenian, with particular attention to definite noun phrases. Their argument uses the language’s restricted singular interpretations to test broader accounts of grammatical complexity.
A linguistic survey of Syria identifies Armenian as one of four Christian non-Arab languages in 2011, together with Western Aramaic, Suret, and Turoyo.
Tracing Armenian printed lexicography from the seventeenth century, the article positions the two-volume New Dictionary of the Haykazian Language, issued in Venice in 1836–1837 by three Mkhitaryan priests, as a foundation for later dictionaries.
A dissertation reads fifth-century Armenian Christian narratives for women's agency, asceticism, queenship, family status, marriage practices, conversion roles, and wartime violence.
The biography reconstructs Polish-Armenian scholar Stefan Wartanowic Lehacy's education, translations, church service, family background, and possible painting activity during the seventeenth century.
A fragmented essay joins inherited family memories, survivor exile, Australian Gallipoli commemoration, and disputed naming to portray genocide denial as an embodied intergenerational presence.
Examining English-language work by third-generation Armenian American authors, the article connects literary searches for ancestry with survivor narratives, inherited identity, and continuing genocide denial.
Comparing Dante's Italian with Tayan, Ghulyan, and Łazikean translations, the thesis evaluates how Eastern and Western Armenian morphology and auxiliaries render tense and temporal interpretation.
Greek and Classical Armenian New Testament noun phrases are compared across contrastive, generic, proper-name, and pragmatic uses of the definite article.
Dabaghyan studies postwar place renaming in Artsakh as a cultural practice shaped by imperial legacies, modernization, conflict, and local knowledge.
A study of Armenian diaspora print culture examines literary criticism in France, Egypt, and the United States from 1919 to 1928 after the genocide. Western Armenian newspapers carried a debate between cultural preservation and literary innovation, making literature both an aesthetic practice and a social institution.
The paper introduces a Western Armenian pattern in which two negative morphemes within one clause may yield either independent semantic negations or a single negative-concord interpretation.
Using roughly 350 borrowings from texts dated 1559 to 1669, the study maps Polish and Ukrainian lexical influence on the everyday Kipchak of Armenian communities.
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