The article compares vegetal ornament on fantastic animals in tenth- through fourteenth-century Armenian sculpture with Sasanian and Islamic artistic precedents.
A 1697 Armenian pilgrimage guide made in Jerusalem describes eighty Palestinian sites through text and eighty-one images and now survives in a Vienna Mekhitarist collection.
Using medieval Ani, the article argues that conservation as well as restoration can alter an architectural site's image and calls for an ensemble-wide protection strategy.
A lexical study of Classical Armenian textile terms separates inherited Indo-European words for basic fibers and techniques from Iranian vocabulary for advanced production, clothing, and ornament.
A Turkish-art methodology article uses Armenian Kingdom contacts and an Armenian wooden-door parallel when arguing for multicultural comparison of twelfth- through fifteenth-century objects.
Anania Shirakatsi’s cosmology is placed alongside Armenian myth, poetry, astronomy, and ideas about the spherical Earth and other celestial bodies, with earlier thinkers named as part of the intellectual lineage.
McGovern and colleagues combine residue chemistry, archaeobotany, dating, and environmental evidence from Neolithic sites in Georgia to document very early grape-wine production. The study situates the Shulaveri-Shomutepe cultural zone across the southern Caucasus, including northern Armenia.
Integrated fossil and magnetic evidence from Armenia's Urtsadzor section recalibrates late-Eocene larger-foraminifer events against global plankton zones outside the usual southwest European sites.
The study evaluates Vera Zvyagintseva's Russian renderings of Gevorg Emin's love lyrics for fidelity to meaning, style, philosophical depth, and poetic individuality.
A review of Greek Texts and Armenian Traditions describes an interdisciplinary conference volume joining classics, ancient history, linguistics, and Armenology around Eastern receptions of classical heritage.
The French-loanword study traces when borrowed terms entered Armenian across science, technology, arts, politics, architecture, industry, and agriculture.
Stylistic and iconographic comparison attributes an incomplete Armenian Four Gospels in Moscow to Momik and dates its miniatures to the early fourteenth century.
Ani serves as a case for comparing Turkish and Armenian national heritage narratives with the everyday meanings assigned by communities living around the medieval site.
Tehran's Armenian churches are grouped by building era and compared with precedents in Isfahan, historical Armenia, Iran, and modern world architecture.
This review surveys Armenia’s astronomical heritage from petroglyphs, observatories, calendars, and ancient records to Shirakatsi, Vanandetsi, and Sebastatsi.
The article interprets Armenia's fourth-century adoption of Christianity as a political and cultural turning point that produced new schools, literature, churches, and art.
Crowdsourced photographs and structure-from-motion modeling generate point clouds and orthophotos for documenting the Armenian Vank Cathedral and its frescoes in Isfahan.
Distinctive apostle and evangelist imagery in Momik's manuscripts, sculpture, and a Syunik khachkar is interpreted against Gladzor learning and church controversy.
A privately owned eighteenth-century Armenian prayer scroll is studied through textual and miniature interpretation plus non-invasive spectroscopy, photography, X-ray fluorescence, and Raman analysis.
The dissertation places Sayat-Nova's multilingual songs inside Armenian and wider Near Eastern bardic traditions, then follows his twentieth-century scholarly and popular afterlife.
This article develops a historical GIS approach to the Armenian Genocide using a daily manuscript record for 1914–1923. It discusses how spatial and temporal analysis can be used alongside qualitative historical sources and how uncertainty enters such mapping.
An architectural and symbolic interpretation of Tsitsernakaberd asks how the Soviet-era Yerevan complex carries Armenian Genocide memory and substitutes for destroyed sacred places.
An orchestral dissertation responds musically to the Armenian Genocide through inherited survivor memory, loss, resilience, revival, and an appeal for peace.
A comprehensive study of Alan Hovhaness surveys his large catalogue, musical language, biography, reception, Armenian period, and engagement with non-Western traditions.
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