The dissertation analyzes medieval Armenian kafas added to the Alexander Romance, translating poetic encounters and mapping their links to geography, historiography, apocalypse, and Christian cosmology.
Interviews with three generations of Colorado Armenians examine identity work in a community estimated at 2,916 people. A Denver Saturday school, Apostolic churches, a genocide khachkar, the Sardarapat highway sign, and SOAR charity link language, religion, memorialization, and assistance to Armenia.
A historical-linguistics dissertation argues that Classical Armenian replicated Parthian lexical, morphological, phraseological, and syntactic patterns, including a tripartite periphrastic perfect.
The dissertation places Sayat-Nova's multilingual songs inside Armenian and wider Near Eastern bardic traditions, then follows his twentieth-century scholarly and popular afterlife.
A dissertation reads Micheline Aharonian Marcom's three novels through postmemory, tracing how imagination mediates inherited Armenian Genocide trauma into present literary remembrance.
The dissertation explains divergent Classical Armenian epenthetic vowels through sonority sequencing, extraprosodic sibilants, secondary stress, and contrasting consonant-resonant clusters.
The study maps folk-song, dance, lament, ritual, and natural imagery in Tumanian's Anush onto Tigranian's completed opera and Komitas's surviving score fragments.
A dissertation reads fifth-century Armenian Christian narratives for women's agency, asceticism, queenship, family status, marriage practices, conversion roles, and wartime violence.
Comparing Dante's Italian with Tayan, Ghulyan, and Łazikean translations, the thesis evaluates how Eastern and Western Armenian morphology and auxiliaries render tense and temporal interpretation.
A study of Armenian diaspora print culture examines literary criticism in France, Egypt, and the United States from 1919 to 1928 after the genocide. Western Armenian newspapers carried a debate between cultural preservation and literary innovation, making literature both an aesthetic practice and a social institution.
The dissertation develops a computationally assisted critical edition of Matthew of Edessa's Armenian Chronicle, studies its manuscript transmission and prophetic frame, and dates composition before 1137 through the author's treatment of Byzantines, Armenians, Saljuqs, and Latins.
Interviews and domain-of-use analysis trace declining Armenian fluency in Lebanon as multilingual generations shift toward Arabic, English, and French while renegotiating genocide memory, homeland, and heritage.
An Armenian-Canadian autoethnography uses literacy, bilingual identity, and the idea of linguistic and national home to describe writing from both sides of a border.
Thirty Sayat-Nova melodies are tested for rhythmic and melodic unity through Armenian folk, sacred, and ashoogh traditions, tzayn codification, poetic meter, and cadential patterning.
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