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The Research Repository

Armenian scholarship open to all

A digital library of verified, open scholarship on all things Armenian, including Armenian history, the Genocide, Artsakh, language, and the diaspora.

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What is being done to Armenian monuments in Artsakh now is not new and it is not vandalism. Seda Parsamyan traces the demolition policy of the Hamidian massacres of the 1890s and puts the legal question directly: when a state sets out to erase a people's churches, at what point does that become cultural genocide? She works through how the concept has been defined, redefined and quietly narrowed by people who would rather it did not apply. The frame she builds is the one now being reached for over Artsakh.

Mass Destruction of Armenian Cultural Heritage during the Hamidian Massacres (1894-1896)

Parsamyan, Seda A. · 2023 · International Journal of Armenian Genocide Studies, Vol. 8, No. 2, pp. 5–34 (AGMI, Yerevan); DOI 10.51442/ijags.0043
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Topic:national identity
Showing 1 of 1 matching publications (200 total) · catalogue updated 2026-07-22
Journal ArticleOpen Access

Կոմիտասն իր նամակների հայելիում (Komitas in the Mirror of His Letters)

Mnatsakanyan, Yeva, 2025
Բանբեր Երևանի համալսարանի. Բանասիրություն / Bulletin of Yerevan University B: Philology, Vol. 16, No. 3(48), pp. 21–34 (Yerevan State University Press); DOI 10.46991/BYSU.B/2025.16.3.021

Treats Komitas: composer, musicologist, folklore collector, teacher, and founder of the Armenian school of composition, as a national symbol whose fate is read as the fate of the Armenian people. The article analyzes the worldview and psychological registers of his letters and the philosophy condensed in them, presenting the vardapet as both a son of his environment and a world-recognized musician with a dramatic inner life. Its aims are to use the letters as an instrument for revealing an inner world, to interpret their key messages from the standpoint of present-day artistic consciousness, and to trace intercultural communication through them. The author concludes that the letters do not fully unlock Komitas, but confirm that he purified, notated, and created 'the majestic homeland of our song.'

KomitasArmenian musicepistolary sourcesliterary criticismnational identity
Armenian

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How this repository is built

What is in this repository?

Peer-reviewed and institutional scholarship on Armenian subjects — history, the Armenian Genocide, Artsakh, language and literature, the church, and the diaspora — in any language and from any country. Journal articles, books, book chapters, theses and institute publications are all in scope. Entries are chosen for what they contribute to an Armenian student's understanding, not for how recent or how famous they are.

What does 'verified' mean here?

It means a person opened the link and checked the record against the publisher's own page: the title, the authors, the venue, the volume and pages, and the identifier. The date of that check is shown on each entry's page. Where an entry has no date shown, no check has been logged for it yet, and the catalogue does not claim one.

What is the summary on each entry?

A short account of what the publication does, followed by notes on what it offers different readers — a student writing a term paper, an academic, someone reading for the community, someone new to the subject. They are meant to tell you what a piece is useful for, not only what it argues.

How do I suggest a publication, or report an error?

Use the 'Suggest a publication' link at the foot of the directory. The same address takes corrections — a broken link, a wrong page range, a misattributed author. Corrections are checked against the publisher's record before an entry changes.