An eight-volume Vatican archival reconstruction is reviewed through correspondence spanning 1894–1925, alongside Jewish advocacy, Genocide denial, and post-Soviet Armenian nationalism.
This review surveys Armenia’s astronomical heritage from petroglyphs, observatories, calendars, and ancient records to Shirakatsi, Vanandetsi, and Sebastatsi.
Ottoman archival directives are used to reconstruct forced conversion and assimilation of Armenian women and children as organized components of the 1915 genocide.
The authors document food plants and dishes used by Yezidi and Kurdish communities in Armenia through fieldwork, observation, and species identification. They relate culinary patterns to pastoral livelihoods and distinguish them from common Armenian food practices.
Crowdsourced photographs and structure-from-motion modeling generate point clouds and orthophotos for documenting the Armenian Vank Cathedral and its frescoes in Isfahan.
The article synthesizes a research volume linking Armenian history with German, French, and Italian literatures, including genocide aftermath and recognition debates.
Written memoirs by Armenian Genocide survivors in Italy are studied as delayed expressions of deeply painful experience and witnessed atrocities.
A privately owned eighteenth-century Armenian prayer scroll is studied through textual and miniature interpretation plus non-invasive spectroscopy, photography, X-ray fluorescence, and Raman analysis.
Genotyping more than ninety thousand variants across geographically diverse model-grass accessions, including Armenian material, reveals three genetic populations aligned more closely with flowering time than with broad geographic origin.
This humanities monograph compares African, Jewish, and Armenian narratives of origin to ask how diasporic communities can retain rooted identities while recognizing plurality, fiction, and sexual difference.
This study examines how Armenian teachers of English engage with classroom research and reflective practice. It identifies reported obstacles and frames recommendations for strengthening teacher-led inquiry in Armenian EFL settings.
The dissertation places Sayat-Nova's multilingual songs inside Armenian and wider Near Eastern bardic traditions, then follows his twentieth-century scholarly and popular afterlife.
The Four-Day War is used to argue that limited international engagement suppresses wider discussion of Nagorno-Karabakh while increasing regional aggression by Armenia and Azerbaijan.
Miller studies memoirs by Armenians who resettled in Soviet Armenia after the Second World War and later returned to diaspora communities. The article considers how the legacies of genocide shape those narratives and complicate familiar historical accounts.
An architectural and symbolic interpretation of Tsitsernakaberd asks how the Soviet-era Yerevan complex carries Armenian Genocide memory and substitutes for destroyed sacred places.
An orchestral dissertation responds musically to the Armenian Genocide through inherited survivor memory, loss, resilience, revival, and an appeal for peace.
The article places Armenia among the Eurasian Economic Union's five founding-era members and evaluates the bloc as an evolving vehicle for Russian regional hegemony through institutions, material capacity, security, welfare consent, and cultural leadership.
A historical account follows Armenian migration to Lebanon and the development of a distinct religious, cultural, and political community from refugee settlement onward.
A legal-ethnographic reading of Soghomon Tehlirian's 1921 Berlin trial asks how revenge reasoning shaped the jury's acquittal after he killed Talaat Pasha.
Two Armenian biblical manuscripts associated with Grigor Tatevatsi and Syunik are examined through 28 miniatures, dating evidence, workshop attribution, and proposed influences from Arabic miniature painting.
A translated and annotated autobiography by Anania Shirakatsi depicts seventh-century Armenian intellectual limitations and his pursuit of mathematical and astronomical learning abroad.
The essay describes rediscovering Armenian memory places in Turkey and Azerbaijan after systematic historical falsification, destruction, and neglect of cultural monuments.
Examines how national identity was constructed within the early Armenian folklore movement. Davidjants notes that Armenian identity construction has drawn on Armenia's status as the first Christian state and on a well-integrated Western diaspora, both used to present Armenians as 'European', even though Armenia shares many cultural traits with its neighbours. Against that background she compares two approaches to transcribing Armenian folk tunes: those of Komitas and those of his contemporary, the folklorist Arshak Brutyan. Komitas leaned toward a Western way of thinking, standardising tunes according to the Western music system, while Brutyan sought transcription methods better fitted to Armenian musical culture. It is Komitas's approach that remains dominant in Armenian academic circles today.
A Matenadaran musicologist traces music therapy in Armenian medieval science: from the 5th-century philosopher Davit Anhaght through the 12th-century Cilician physician Mkhitar Heratsi, and shows how Komitas Vardapet became the first musicologist to study it, drawing on a medieval Ejmiatsin manuscript describing the healing influence of sacred music.
Know published research that belongs here, or have scholarly work of your own? Suggest it and we'll review it for the repository.
Suggest or correct a record