From Ani archaeological campaigns to Durnovo, Der Nersessian, and Kotanjyan, the article reconstructs twentieth-century scholarship that established a coherent account of medieval Armenian fresco technique, programs, and iconography.
The GREgORI project develops lemmatized indexes, concordances, information retrieval, and bitext alignment for Armenian alongside Greek, Arabic, Syriac, and Georgian texts.
Using a 1939 diocesan schema preserved in Gniezno, the article reconstructs the Armenian Rite Archdiocese of Lviv immediately before World War II.
A legal note follows the Armenian Catholicosate's attempt to recover Sis through Turkish courts and the ECHR, comparing property doctrine with an Article 9 religious-freedom claim.
The article outlines stages of Armenian diaspora formation in Russia and examines clergy, diocesan activity, and church-community interaction in preserving ethnic distinctiveness.
The Armenian Church’s publishing history links Holy Etchmiadzin’s plans for scripture with Amsterdam printing, Voskan Yerevantsi, and the first Armenian Bible produced through the Holy Etchmiadzin and Saint Sargis press.
The article compares vegetal ornament on fantastic animals in tenth- through fourteenth-century Armenian sculpture with Sasanian and Islamic artistic precedents.
A 1697 Armenian pilgrimage guide made in Jerusalem describes eighty Palestinian sites through text and eighty-one images and now survives in a Vienna Mekhitarist collection.
Lebanon's February 1956 Armenian Church election is analyzed as both a community choice and a Cold War contest in which Armenian Lebanese actors used American-Soviet rivalry to advance local interests.
The article traces Armenian migration periods and the development of Armenia-diaspora institutions before examining lobbying, partnership priorities, and church organization in countries of residence.
The semantic range of the Armeno-Kipchak term arï for holiness is analyzed in the Wrocław Töre Bitigi version of an Old Armenian law code.
Stylistic and iconographic comparison attributes an incomplete Armenian Four Gospels in Moscow to Momik and dates its miniatures to the early fourteenth century.
The study follows Galician Armenians from Kipchak and Armenian speech through Polonization, confessional debate, elite assimilation, and late nineteenth-century ethnic revival.
Tehran's Armenian churches are grouped by building era and compared with precedents in Isfahan, historical Armenia, Iran, and modern world architecture.
This review surveys Armenia’s astronomical heritage from petroglyphs, observatories, calendars, and ancient records to Shirakatsi, Vanandetsi, and Sebastatsi.
The article interprets Armenia's fourth-century adoption of Christianity as a political and cultural turning point that produced new schools, literature, churches, and art.
Crowdsourced photographs and structure-from-motion modeling generate point clouds and orthophotos for documenting the Armenian Vank Cathedral and its frescoes in Isfahan.
Distinctive apostle and evangelist imagery in Momik's manuscripts, sculpture, and a Syunik khachkar is interpreted against Gladzor learning and church controversy.
Grape-harvest imagery is compared across late antique, early Christian, Armenian, and Sasanian art to trace changing Dionysian, Eucharistic, and paradisal meanings.
Two Armenian biblical manuscripts associated with Grigor Tatevatsi and Syunik are examined through 28 miniatures, dating evidence, workshop attribution, and proposed influences from Arabic miniature painting.
The study records more than twenty Latin- and Armenian-rite Catholic churches and chapels built or restored in Georgia, chiefly between 1860 and 1910.
This Turkish-language overview places the late-Ottoman Armenian issue after Balkan Christian national movements and considers diaspora advocacy, parliamentary recognition, and the possibility of future scholarly reconciliation.
A survey of Greek works translated into Syriac, Georgian, Armenian, and other languages reviews both religious and secular transmission. It also identifies methodological questions and areas needing further study.
The study catalogs anthropomorphic masks in Armenian church sculpture from the fifth through eleventh centuries, locating them on sacral architectural zones and relating their iconography to antique and eastern Christian traditions.
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