Journal ArticleOpen Access
Vardanyan, Nvard, 2026
Բանբեր Երևանի համալսարանի. Բանասիրություն / Bulletin of Yerevan University B: Philology, Vol. 17, No. 2(50), pp. 26–35; DOI 10.46991/BYSU.B/2026.17.2.026
Vardanyan treats the mythopoetic image of the world as a secondary elaboration of reality through sign systems anchored in archaic structures and archetypes. Because poetic speech is metaphorical, writers often draw unwittingly on the universal sign systems of folk thought and generate new ones from them. Isahakyan's lyric poetry has been analysed repeatedly for its ideological and thematic layers, but this study starts elsewhere: it traces symbolic representations in Isahakyan's picture of the world back to their mythic origins, working through his treatments of man and the cosmos, space and time, sound and silence.
Journal ArticleOpen Access
Blokland, Dina · Daniel, Nathan · Efrati, Shlomi · Neagu, David · Stone, Michael · Walk, William, 2025
Armeniaca. International Journal of Armenian Studies, Vol. 4 (2025), pp. 47–66; DOI 10.30687/arm/2974-6051/2025/01/003 (Edizioni Ca' Foscari, Venice)
Presents an annotated edition and English translation of a poem probably composed by Yovasap of Sebastia (c. 1510–after 1564). Part of a longer cycle of biblical retellings in verse, the poem narrates world history from Adam down to the Tower of Babel. Yovasap repeatedly departs from the biblical narrative to offer homiletic or typological elaborations and shows deep familiarity with parabiblical traditions. The authors present it as a fine specimen of the 'Armenian embroidered Bible,' attesting how biblical and parabiblical material was received and developed in the Armenian literary sphere.
Journal ArticleOpen Access
Marutyan, Harutyun, 2024
Ցեղասպանագիտական հանդես / Journal of Genocide Studies, Vol. 12, No. 2, pp. 57–81 (AGMI Foundation, Yerevan); DOI 10.51442/jgs.0057
Marutyan examines historical novels, autobiographical fiction and prose published in Soviet Armenia during and after the Great Patriotic War in which the Armenian Genocide was depicted in realistic and grim colors. He shows these works portrayed not only Turkish and Kurdish atrocities but also justified attention to German participation in the Genocide, and in some cases attacked European bourgeois diplomacy for obstructing a solution to the Armenian Question. Many of the texts also carry obligatory praise of the Soviet order and of Stalin. The study covers Gegham Saryan, Garnik Stepanyan, Hrachya Kochar, Kristapor Tapaltsyan, Onik Panikyan and Paruyr Sevak.