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Armenian scholarship open to all

A digital library of verified, open scholarship on all things Armenian, including Armenian history, the Genocide, Artsakh, language, and the diaspora.

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What is being done to Armenian monuments in Artsakh now is not new and it is not vandalism. Seda Parsamyan traces the demolition policy of the Hamidian massacres of the 1890s and puts the legal question directly: when a state sets out to erase a people's churches, at what point does that become cultural genocide? She works through how the concept has been defined, redefined and quietly narrowed by people who would rather it did not apply. The frame she builds is the one now being reached for over Artsakh.

Mass Destruction of Armenian Cultural Heritage during the Hamidian Massacres (1894-1896)

Parsamyan, Seda A. · 2023 · International Journal of Armenian Genocide Studies, Vol. 8, No. 2, pp. 5–34 (AGMI, Yerevan); DOI 10.51442/ijags.0043

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Topic:Noravank

Showing 2 of 2 matching publications (200 total) · catalogue updated 2026-07-22

Journal ArticlePaywalled

Step'anos Ōrbēlean et l'inscription de l'église Surb-Karapet de Noravank (Stepanos Orbelean and the Inscription of the Surb Karapet Church at Noravank)

Augé, Isabelle · Ouzounian, Agnès, 2025

Revue des Études Arméniennes, Vol. 43 (2025), pp. 301–340 (Peeters); DOI 10.2143/REA.43.0.3295027

Stepanos Orbelean, the thirteenth-century historian of Syunik, embedded documents, deeds and inscriptions in his chronicle. This article compares two versions of one deed he himself wrote: a long testamentary text preserved as a chapter of the chronicle, and a monumental inscription carved in the Surb Karapet church at Noravank. The authors revise and retranslate the inscription alongside a fresh translation of the chronicle version. Setting the two in parallel, they probe how the historian used his sources and what relationship existed between the now-lost archival documents that served as prototypes, the inscriptions, and the quotations reproduced in the historiography.

Stepanos Orbelean Noravank Armenian epigraphy Syunik monastic deeds

French

Journal ArticleOpen Access

Essai pour une nouvelle lecture du bas-relief du tympan inférieur du narthex de l'église Saint-Étienne le Protomartyr du monastère de Noravankʻ (Toward a New Reading of the Bas-Relief of the Lower Tympanum of the Narthex of the Church of St. Stephen the Protomartyr, Noravank Monastery)

Leyloyan-Yekmalyan, Anna, 2025

Matenadaran: Medieval and Early Modern Armenian Studies (MEMAS), Vol. 2, No. 1, pp. 163–186 (Mesrop Mashtots Matenadaran / Brepols); eISSN 3041-5063

Re-reads the carved lower tympanum of the Noravank narthex (founded 1261), whose composition centers on the Virgin and Child. The bird beneath the Child's feet is identified as the apocryphal clay bird animated by Jesus's breath, echoing the Father animating Adam; the lion the Child sits on is the Lion of Judah from the vision in Esdras. Old Testament prophets flank the Virgin, and a large letter Ա with a three-pointed arrow aimed at Mary's ear evokes Ephrem the Syrian's conception-through-the-ear formula, reinforced by the word ԲԱՌՆ and the surrounding Armenian inscription, which the author translates. The reading ties Armenian monumental sculpture to apocryphal and patristic exegesis.

Noravank Armenian medieval sculpture Christian iconography Armenian Apostolic Church apocryphal traditions

French

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Peer-reviewed and institutional scholarship on Armenian subjects — history, the Armenian Genocide, Artsakh, language and literature, the church, and the diaspora — in any language and from any country. Journal articles, books, book chapters, theses and institute publications are all in scope. Entries are chosen for what they contribute to an Armenian student's understanding, not for how recent or how famous they are.

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