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Topic:Vardges Sureniants
Showing 1 of 1 matching publications (200 total) · catalogue updated 2026-07-22
Journal ArticleOpen Access

How to Paint Destruction: The Role of Material Objects in the Work of Armenian Painter Vardges Sureniants

Maranci, Christina, 2025
Études arméniennes contemporaines, No. 16 (2025), 'Objects of Thought', pp. 73–97 (Bibliothèque Nubar / AGBU); DOI 10.4000/15gme

Maranci, a leading scholar of Armenian art and architecture, offers a close formal reading of Vardges Sureniants' painting 'Trampled Sanctuary' (1890s), a near-contemporary depiction of the Hamidian Massacres. She argues the work should be read not merely as documentation of destroyed artifacts but as a totalizing scene of wreckage that gathers up nearly the whole repertoire of Armenian art. Sureniants' impressionistic handling, she contends, both invites and obstructs close inspection of the ruined objects, producing a tension between recording artifacts and re-creating them — a meditation on loss and on the destruction of Armenian cultural heritage.

Armenian art historyVardges SureniantsHamidian Massacrescultural heritage destructionmaterial culture
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