An ethno-cultural and etymological study catalogs the Armenian kaj, their leader Vahagn, mountain dwellings, ritual behavior, and parallels in Iranian and Indian traditions.
El estudio reúne textiles precolombinos y manuscritos medievales armenios y bizantinos para mostrar cómo el análisis y la síntesis química revelan materiales, pigmentos y prácticas artísticas históricas.
Using qualitative and quantitative inquiry in Iran, the study compares Armenian Church language identity with Sikh linguistic practice and links communal language balance to religious development.
Rezaei and Tadayyon analyze 323 public signs and ethnographic observations in Isfahan's Armenian Julfa district. They show how Persian, English, and Armenian appear unevenly in a neighborhood where Iranian, Armenian, Christian, and cosmopolitan identities meet.
The GREgORI project develops lemmatized indexes, concordances, information retrieval, and bitext alignment for Armenian alongside Greek, Arabic, Syriac, and Georgian texts.
The paper models recurring formulae in Armenian manuscript colophons through lemmatization and finite automata, demonstrating how computational patterns can reveal schools and networks involved in book production and circulation.
A lexical study of Classical Armenian textile terms separates inherited Indo-European words for basic fibers and techniques from Iranian vocabulary for advanced production, clothing, and ornament.
Comparative analysis of Mikhail Dudin's Russian renderings of Avetik Isahakyan's love lyrics finds that meaning, style, cultural mood, imagery, and rhyme remain close to the Armenian originals.
The semantic range of the Armeno-Kipchak term arï for holiness is analyzed in the Wrocław Töre Bitigi version of an Old Armenian law code.
A historical-linguistics dissertation argues that Classical Armenian replicated Parthian lexical, morphological, phraseological, and syntactic patterns, including a tripartite periphrastic perfect.
The study evaluates Vera Zvyagintseva's Russian renderings of Gevorg Emin's love lyrics for fidelity to meaning, style, philosophical depth, and poetic individuality.
Close reading identifies nonverbal cues in two Armenian-American works: Balakian's 1997 memoir Black Dog of Fate and Marcom's 2001 fiction Three Apples Fell from Heaven.
A reading of Varujan Vosganian's Romanian novel follows third-generation transmission of Armenian Genocide memory through family photographs, documentary images, autobiography, and literary form.
A review of Greek Texts and Armenian Traditions describes an interdisciplinary conference volume joining classics, ancient history, linguistics, and Armenology around Eastern receptions of classical heritage.
The essay traces how Russia's 1917–1918 spelling changes prompted Armenian reforms beginning in 1922, later modified in 1940, without imposing Cyrillic or Latin script.
The French-loanword study traces when borrowed terms entered Armenian across science, technology, arts, politics, architecture, industry, and agriculture.
A typology of quantity words uses Western Armenian alongside English, Dutch, and Wolof to model mass-count and positive-negative contrasts through nanosyntactic lexical trees.
The study follows Galician Armenians from Kipchak and Armenian speech through Polonization, confessional debate, elite assimilation, and late nineteenth-century ethnic revival.
Repeated testing of 42 Armenian-English kindergarteners showed gains in both languages, but weaker growth in Armenian expressive vocabulary and a preference for English use.
A comparative concept study finds Russian idioms built around soul often correspond to Armenian expressions using heart, while Armenian also preserves soul compounds without Russian equivalents.
This review surveys Armenia’s astronomical heritage from petroglyphs, observatories, calendars, and ancient records to Shirakatsi, Vanandetsi, and Sebastatsi.
The article synthesizes a research volume linking Armenian history with German, French, and Italian literatures, including genocide aftermath and recognition debates.
Written memoirs by Armenian Genocide survivors in Italy are studied as delayed expressions of deeply painful experience and witnessed atrocities.
This humanities monograph compares African, Jewish, and Armenian narratives of origin to ask how diasporic communities can retain rooted identities while recognizing plurality, fiction, and sexual difference.
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